J. Cole Graces Complex Magazine

jcole-complex_ohsodjFirst Wale, then Nicki Minaj and now J. Cole reflects the third cover of Complex’s December/ January 2015 issue.

In the issue, the emcee takes heads back to his childhood home in Fayetteville, NC. Read excerpts of his interview below.

On new album 2014 Forest Hills Drive:

It’s crazy that I chose to record it in Hollywood because it’s such a “fuck Hollywood” album. Being out there maybe contributed to [me thinking], “I’m bugging. There’s some shit that’s way more important than how many albums I sell and if I’m the best.”

On dealing with criticism:

I’m an introverted person, especially with problems. I feel like I can deal with shit on my own and I don’t need to express it. I put up a great front because I don’t want to show [that something bothers me], which is why I respect Wale. I’ve always loved that he says it and he says it right away, like, “Yo, I don’t feel this. Them niggas ain’t showing me no respect.” In a way, that’s therapeutic. To keep it in and suppress it makes it worse. That kind of expressiveness is not prevalent in my music, but you’ll find lines. That shit affected me so much that I had to write a line about it. I can tell you five or six lines where it was addressed. That’s the danger of giving a fuck about what people say in an age where you can see what people say so easily. It’s about getting over that, like, “Man, I don’t give a fuck. I love me. I love this shit I just made. If you like it, fucking great. It you don’t like it, cool. I hope you find some other shit you like.” On my best day that’s how I feel.

On early retirement:

I don’t know. I love doing it, so I’m not going to use that as [a sales pitch], like, “Last album—make sure you go out and buy.” But I’m content if this is my last one, going out like this. Listen to all my music and you’ll hear this nigga who went to New York City and started with a dream; he gained his confidence and his step with The Warm Up and was here to show y’all niggas “I’m the best”—and Friday Night Lights put a stamp on that. Sideline Story was like, “I have to figure this shit out and sell records.” Born Sinner was “Fuck, that wasn’t how I wanted to do it. I gotta make up for that one, I got to get back to myself.” And then fighting through all of that to realize on 2014 Forest Hills Drive, “No, this is where it was always at.”I’m good. I’m cool. That would be the illest note to leave listeners with.

Watch video of the interview HERE

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